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好莱坞管弦配乐音源 – Sonokinetic Grosso [KONTAKT]

FANTASTiC | 26 April 2020 | 32.6 GB    Grosso.part34.rar一个宏伟的、完整的基于管弦乐短语的电影样本库。格罗索是我们迄今为止生产的最好的乐器。时期。
与格罗索,声动BV改变了管弦乐的范例为基础的乐器…再次!在我们的最小库之前,控制的水平,同时保留真实的声音,现场录音带来的派对,是闻所未闻的。我们在《最小化》上得到了很多积极的反馈,所以拍摄续集是不可避免的。仅仅是续集并不是我们在声波动力学所做的,所以如果你看看格罗索带来的,你会看到一个进化的实体从智人到最小的直立人。

我们从底层构思了这个仪器,使用最小引擎的部分和重新设想许多其他的东西,以适应增加的灵活性格罗索带来的桌子。主要的区别,除了录音材料明显的乐观性质,加上合唱团部分,taiko和非旋律的打击乐器部分,是我们把管弦乐部分分成更多的部分。弦乐和唱诗班分为低-中-高,木管和铜管分为低-高,打击乐分为taiko和更传统的管弦乐打击乐。所有这些元素都经过精心的组合,以便与其他元素很好地配合,从而产生数百万种可能的声音组合。

这种原材料的性质和数量,以及我们需要以一种直观的方式提供给你的额外的灵活性,使我们产生了一种全新的界面风格,并使我们把乐器分成不同的Kontakt .nki。不过别担心,我们已经把钥匙布置在一种方式上,仍然可以在一个midi频道上用整个管弦乐队演奏这种乐器“极简风格”。

Grosso是一个12/8的感觉库,我们已经配置引擎在4/4和12/8的时间签名在你的DAW工作。虽然乐器在构思时考虑了预告片和动作风格,但最终的作品能做的远不止这些,只局限于你的想象力。

看看我们的试听部分,听听我们beta团队中一些极具天赋的作曲家的作品,他们的灵感来自格罗索。事实上,我们从这些人那里得到的很多早期反馈中,“鼓舞”这个词和“特殊”一样多。如果有一种乐器能在你最需要的时候帮助你摆脱恐惧,那就是这个了。我们甚至包括一个随机按钮,为您提供不同的模式组合按一下按钮。

在收集的顶部,我们增加了一个“过渡建设者”的工具,旨在粘合部件在一起,并建立高潮。它包括铜管和木管渐强音和弦,并识别不同的和弦类型,如减音,增音和属音第七。和弦是当场从一组记录的音程组成的。这一建造乐器也包含打击乐器和太鼓填充,以及一个完全可演奏的多层太鼓合奏补丁,既作为合奏,也作为单个鼓。请看视频,看看它的功能在行动。

在Sonokinetic BV,我们非常自豪地向您介绍格罗索,并等不及听到您的惊人的东西,我们的宝贵客户基础,将与它生产。

样品:

44.1kHZ – 24BIT NCW格式
24BIT – 36000 +样本
24BIT – 234gb未压缩
版税和版权免费内容许可

工具补丁:

6个乐器补丁覆盖弦乐,铜管,打击乐器,木管,唱诗班和一个动态的过渡建设者工具。
时间伸展和节奏同步使用本机仪器时间机器Pro 2和声波动力学智能节奏地图

取样工具:

52根交响琴弦:
小提琴,中提琴,大提琴和低音提琴
12交响乐黄铜:
大号,长号,小号和小号
12木管乐器:
低音管,单簧管,双簧管,长笛和短笛
8敲击乐:
太鼓,交响乐的打击乐器
24唱诗班歌手:
女高音,阿尔提,男高音和低音提琴

版本2.0 -有什么变化?

自从我们最初发布格罗索,我们已经建立了许多改进到引擎,使更多的灵活性与板载短语。在Grosso 2.0版本中,我们将后期库如Capriccio和Sotto的所有功能都带到最初的Grosso中:

新特性:

样本抵消控制
短语选择预览
释放样品容量调整
专用补丁为本地仪器Komplete Kontrol键盘
从分数窗口拖放MIDI
教程和手册的补充

 

A Grandiose full Orchestral Phrase-based Cinematic Sample Library. Grosso is the best instrument we have produced to date. Period.

With Grosso, Sonokinetic BV is changing the paradigm for orchestral phrase-based instruments… again! Before our Minimal library, the level of control, whilst retaining the authentic sound that live recordings bring to the party, was unheard of. We have gotten so much positive feedback on Minimal that a ‘sequel’ was unavoidable. Mere sequels is not what we do though at Sonokinetic, so if you look at what Grosso brings to the table, you will see an evolved entity that is a homo-sapiens to Minimal’s homo-erectus.

We have conceived this instrument from the ground up, using parts of the Minimal engine and reimagining many other things to accommodate for the added flexibility Grosso brings to the table. The main difference, apart from the obviously upbeat nature of the recorded material and the addition of a choir part and a taiko and non-melodic percussion section, is that we split out the orchestral sections into more parts. Strings and choir are split in low – mid – high, woodwinds and brass into low and high, percussion into taiko and more traditional orchestral percussion. All of these elements have been carefully composed to work well with all of the others, resulting in millions of possible combinations of sounds.

The nature and sheer amount of this raw material, and the added flexibility we needed to offer to you in an intuitive way, led us to a completely new interface style, and it made us split up the instrument into different Kontakt .nki’s. Don’t worry though, we have laid out the keyswitches in a way that still makes it possible to play this instrument ‘Minimal-style’ with the whole orchestra on one midi channel.

Grosso is a 12/8 feel library, and we have configured the engine to work in both 4/4 and 12/8 time signatures within your DAW. Though the instrument was conceived with trailer and action styles in mind, the finished product is capable of so much more, limited only by your imagination.

Check out our demo section to hear some of the compositions made by the incredibly talented composers in our beta team, inspired by Grosso. In fact, much of the early feedback we got from these guys included the word ‘inspirational’ as much as the word ‘exceptional’. If there’s ever an instrument that can help you get out of a funk when you need it most, it’s this one. We have even included a randomiser button to provide you with different pattern combinations at the click of a button.

To top off the collection we have added a ‘transition builder’ instrument that is aimed at gluing parts together, and building up towards climaxes. It includes brass and woodwind crescendo chords, and recognises different chord types, like diminished, augmented and dominant 7th. Chords are constructed on the spot from a collection of recorded intervals. This builder instrument also contains percussion and taiko fills, and a fully playable multisampled taiko ensemble patch, both as an ensemble and individual drums. Please look at the video to see its capabilities in action.

We, at Sonokinetic BV, are very proud to introduce GROSSO to you, and can’t wait to hear the amazing things you, our valued customer base, will produce with it.

Samples:

44.1kHZ – 24BIT NCW format
24BIT – 36.000+ SAMPLES
24BIT – 23,4GB Uncompressed
Royalty and copyright free content license

Instrument Patches:

6 Instrument patches covering Strings, Brass, Percussion, Woodwinds, Choir and a Dynamic Builder tool for transitions.
Timestretching and tempo syncing using Native Instruments Time machine Pro 2 & Sonokinetics Intelligent Tempo Mapping

Sampled Instruments:

52 Symphonic Strings :
Violins, Violas, Celli and Bassi
12 Symphonic Brass:
Tuba, Trombones, Horns and Trumpets
12 Woodwinds:
Bassoons, Clarinets, Oboes, Flutes and Piccolos
8 Percussionists:
Taiko, Symphonic Percussion
24 Choir Singers:
Soprani, Alti, Tenori and Bassi

VERSION 2.0 – WHAT’S CHANGED?

Since we originally released Grosso we have built many improvements into the engine that enable even more flexibility with the onboard phrases. With version 2.0 of Grosso we bring all the functionality of our later libraries such as Capriccio and Sotto to the original Grosso:

New features:

  • Sample offset controls
  • Phrase picker previews
  • Release sample volume adjustment
  • Dedicated patches for Native Instruments Komplete Kontrol keyboards
  • MIDI drag and drop from the score window
  • Tutorial & Manual Addendum
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