WiN: Team R2R | 23 July 2020 | 35.45 MB
MAC: CODESHiNE | 17 August | 334 MB
所有的总包是一组FabFilter插件。与此捆绑，您得到我们的专业EQ，混响，压缩机，多频带动力学，限制器，de-esser和门/扩展器，创造性的多频带失真，延迟，滤波器和合成器插件。FabFilter Pro-L 2, Pro-L限制器插件的主要更新，现在可用。
拥有四个全新的限制算法，一个新的真正的峰值限制模式，广泛的标准兼容的响度测量，环绕支持和许多其他的新功能，Pro-L 2已经在各个方面得到了改进，同时仍然是限制器的简单和有效的基准，FabFilter说。
新的限制算法
FabFilter pro – l2引入了四种新的限制算法。Modern是一种新的“对所有人都最好”的算法，它产生的结果甚至比版本1中透明和全面的算法更好。侵略性是伟大的最大的响度，很适合EDM或摇滚音乐。公共汽车已经被专门设计为鼓和限制个别轨道，而安全的目标不是最大的响度，但避免失真在所有时间。
真正的峰值限制和响度测量
在FabFilter pro – l2中新的真正的峰值限制特性使它非常容易达到一个最大的真正峰值目标。只需将输出电平设置为所需值，启用真正的峰值限制，就这样了。结合改进的真实峰值测光和广泛的响度测光，符合EBU R128, ITU-R BS.1770-4和ATSC A/85标准，Pro-L 2是完美的适合任何响度标准化工作。
先进的加工
完全支持环绕音频与灵活的通道连接，使FabFilter Pro-L 2在多通道场景中更加灵活，而声音质量甚至比以前更高，与高达32x线性相位过采样。新的功能，如直流偏置滤波器，外部侧链触发阀杆母控和统一增益选项，确保Pro-L 2是解决任何母控挑战。
界面的改进
独特的实时水平显示现在甚至更有效的新的创新显示模式，包括无限模式，显示整个会议的所有音频。显著增益减少的时刻用峰值标签突出显示，以提供限制过程的额外见解。最后但并非最不重要的是，界面经过了仔细的重新设计，使其具有完美优化的工作流，在美观上令人满意。
►主要特点:
巨大的透明声音与最大的响度相结合。
八种复杂的、精心调整的限制算法，都有自己的特点和目的。
真正的峰值限制。
可达32x线性相位过采样，以最小化混叠和样本间峰值。
较低的CPU使用率。
高精度的输出和增益减少测量，包括真正的峰值测量。
广泛的响度测量支持EBU R128, ITU-R BS.1770-4和ATSC A/85标准。
各种仪表刻度设置，包括k系统支持。
环绕支持包括Dolby Atmos 7.0.2和7.1.2格式，具有灵活的环绕通道连接。
独特的，高度信息实时水平显示，显示输入，输出，增益变化和响度水平随时间与关键增益减少读数和四种不同的显示模式。
可选直流偏置滤波器。
外侧链触发阀杆控制。
Unity增益选项可以很容易地在Unity增益级别上收听当前限制的效果。
听觉限制选项听的差异，输入和输出信号。
可调的向前看，攻击和释放设置，以微调的算法的声音。
单独，自由可调通道连接的瞬态和释放阶段。
专业的抖动与三种不同的噪声整形算法。
易于设置为常见的限制情况与包括工厂预置。
自动适应立体声，单声道和环绕通道布局。
全屏模式为精确的调整和深刻的计量。
多种接口尺寸:小、中、大，以及单独的紧凑模式。
OS X上的视网膜支持和Windows上的高DPI支持。
增强的图形加速。
支持常用的专业工具硬件控制界面。
今天有什么新消息吗?
Pro-Q 3:
增加可选的外侧链触发EQ波段。要使用此功能，首先单击动态范围环上方的自动阈值按钮，以启用自定义阈值模式。在阀值滑块旁边，点击新的外部侧链按钮来启用或禁用外部侧链输入的触发。
使处理模式和处理分辨率参数不可自动化，以防止自动化改变回放期间的延迟。此外，所有的接口参数，如分析仪的设置，现在也不可自动化。
修正了在使用高阶动态过滤时可能导致振铃声或清扫过滤器效果的bug。
像pro – q2一样，现在可以单独使用禁用的乐队了。
修正了一个bug
The Total Bundle is a set of all FabFilter plug-ins. With this bundle, you get our professional EQ, reverb, compressor, multiband dynamics, limiter, de-esser and gate/expander, creative multiband distortion, delay, filter and synthesizer plug-ins.FabFilter Pro-L 2, a major update to the Pro-L limiter plug-in, is now available.
With four brand-new limiting algorithms, a new true peak limiting mode, extensive standards-compliant loudness metering, surround support and many other new features, Pro-L 2 has been improved in every way while still remaining the benchmark of simplicity and effectiveness in limiters, say FabFilter.
New limiting algorithms
FabFilter Pro-L 2 introduces four new limiting algorithms. Modern is the new ‘best for all’ algorithm that produces even better results than the Transparent and Allround algorithms from version 1. Aggressive is great for maximum loudness, well suited for EDM or rock music. Bus has been designed specifically for drums and limiting of individual tracks, while Safe’s goal is not maximum loudness, but to avoid distortion at all times.
True peak limiting and loudness metering
The new true peak limiting feature in FabFilter Pro-L 2 makes it extremely easy to hit a maximum true peak target. Just set the output level to the desired value, enable True Peak Limiting and that’s it. Combined with improved true peak metering and extensive loudness metering that’s compliant with the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards, Pro-L 2 is the perfect fit for any loudness normalization job.
Advanced processing
Complete support for surround audio with flexible channel linking makes FabFilter Pro-L 2 much more versatile in multi-channel scenarios, while the sound quality is even higher than before with up to 32x linear-phase oversampling. New features like a DC offset filter, external side chain triggering for stem mastering and a Unity Gain option ensure that Pro-L 2 is the solution to any mastering challenge.
Interface enhancements
The unique real-time level display is now even more effective with new innovative display modes, including an Infinite mode that shows all audio for an entire session. Moments of significant gain reduction are highlighted with peak labels to give additional insight in the limiting process. Last but not least, the interface has been carefully redesigned to be aesthetically pleasing with a perfectly optimized workflow.
► Key features:
Great transparent sound combined with maximum loudness.
Eight sophisticated, carefully tuned limiting algorithms, all with their own character and purpose.
True peak limiting.
Up to 32x linear-phase oversampling to minimize aliasing and inter-sample peaks.
Low CPU usage.
Highly accurate output and gain reduction metering including true peak metering.
Extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards.
Various meter scale settings, including K-System support.
Surround support including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking.
Unique, highly informative real-time level display, showing input, output, gain change and loudness levels over time with key gain reduction readings and four different display modes.
Optional DC offset filter.
External side chain triggering for stem mastering.
Unity Gain option to easily listen to the effect of the current limiting at unity gain level.
Audition Limiting option to listen to the difference between the input and output signal.
Adjustable Look-ahead, Attack and Release settings to fine-tune the sound of the algorithms.
Separate, freely adjustable channel linking for both the transient and release stages.
Professional dithering with three different noise shaping algorithms.
Easy to set up for common limiting situations with the included factory presets.
Adapts automatically to stereo, mono and surround channel layouts.
Full Screen mode for precise adjustments and insightful metering.
Multiple interface sizes: Small, Medium, and Large, as well as a separate Compact mode.
Retina support on OS X and High DPI support on Windows.
GPU-powered graphics acceleration.
Supports common Pro Tools hardware control surfaces.
► So what’s new in this update?
Pro-Q 3:
Added optional external side chain triggering to EQ bands. To use this, first click on the Auto Threshold button above the dynamic range ring to enable custom threshold mode. Next to the threshold slider, click the new External Side Chain button to enable or disable triggering on the external side chain input.
Made the Processing Mode and Processing Resolution parameters non-automatable, to prevent automation from changing the latency during playback. In addition, all interface-only parameters such as the analyzer settings are now also non-automatable.
Fixed bugs that could cause ringing sounds or sweeping filter effects when using higher order dynamic filtering.
It is now possible to solo disabled bands again, like in Pro-Q 2.
Fixed a bug that prevented copying and pasting automation from marking all parameters as changed in the preview buffer in Pro Tools, making it impossible to overwrite existing automation.
Fixed a bug that caused the gain of a band to jump to zero when using the mouse wheel to adjust the Q in solo mode with the Gain-Q Interaction option enabled.
Fixed a bug that caused the interface to become all white after double-clicking to edit a text value in the Audio Units plug-in in Ableton Live 10 on macOS 10.13.
Fixed an issue that could cause the Audio Units plug-in to freeze for a while in Ableton Live when adding new bands.
Fixed a bug in the EQ display that made it impossible to enter permanent spectrum grab mode when already in spectrum grab mode.
Fixed a crash when entering EQ Match mode when there is no “stereo” yellow result curve in the EQ display (for example, if there are only Mid bands).
All plug-ins:
Updated plug-in for full compatibility with Mac hosts built specifically for macOS 10.14 (Mojave), such as Logic Pro 10.4.4, running under macOS 10.14.0 or 10.14.1. Previously this could lead to an all-black plugin interface.
Improved the way settings are saved when multiple plug-in instances are open to make sure the last setting that was chosen is saved correctly for new instances.
Added support for 300% scaling on 8K displays (High DPI) on Windows.
Fixed an issue that could cause incorrect scaling of the plug-in interface in Cubase 10 or Live 10 on High DPI displays in combination with certain graphics drivers on Windows.
Added a Refresh item to the Options submenu of the presets menu: this makes it possible to manually refresh the menu (and any V1/V2 Preset Folder submenus if available).
Fixed a bug on Mac that could cause program changes received by one plug-in to be forwarded to other FabFilter plug-in instances.
Pro-C 2, Pro-G: Added visualization of the plug-in input and output levels on Pro Tools control surfaces.
Pro-C 2, Pro-G: Fixed a bug that could cause the plug-in to stay in a triggered state if Enable MIDI is turned off while the plug-in is currently triggering on a MIDI note.
Pro-DS, Pro-L 2, Pro-MB: Added visualization of the plug-in output level on Pro Tools control surfaces.
Pro-L 2: Improved the Pro Tools page table mapping for control surfaces.
Pro-MB: Fixed a bug that could cause the plugin state to become corrupt, with the plugin output becoming silent in some very rare combinations of settings and audio input.
Volcano 2: Fixed a bug that caused entering frequency values by note name (e.g. “A4”) to always result in the maximum frequency value, and potentially cause a crash as well.
Various minor bug fixes and improvements.
Team R2R Note: (v2020.06.11)
* FabFilter Micro – v1.21
* FabFilter One – v3.32
* FabFilter Pro-C 2 – v2.10
* FabFilter Pro-DS – v1.14
* FabFilter Pro-G – v1.24
* FabFilter Pro-L 2 – v2.05
* FabFilter Pro-MB – v1.21
* FabFilter Pro-Q 3 – v3.14
* FabFilter Pro-R – v1.08
* FabFilter Saturn 2 – v2.01
* FabFilter Simplon – v1.31
* FabFilter Timeless 2 – v2.31
* FabFilter Twin 2 – v2.31
* FabFilter Volcano – v2.31
All the rest discontinued plugins are released separately.
