Team DECiBEL | 11 Aug 2020 | 666.9MB
“流动中提琴”是对弦乐器演奏者使用的一种技术的尝试，在这种技术中，演奏者快速地将琴弓在琴弦上滚动，从而创造出一种充满活力的弦感。
有两种演奏乐器的方法。
第一种方法很简单:选择你想要的和弦类型，用什么键，然后在白键上演奏。无论你演奏什么，都会选择一种适合你所选择的音调的和声。这有点像Kontakt的“和声”工厂脚本，除了在这种情况下，所有的和声都是手工录制的!
第二种演奏方式需要更多的乐器知识，也更灵活。如果你演奏一个已经录制好的和弦，乐器会用中提琴演奏这个和弦。随乐器而来的midi剪辑演示了哪些和弦是有效的。
与完整版本的Kontakt 5.8.1和Kontakt 6一起工作
特性
-界面对演奏的音符做出反应，显示音乐符号对演奏者来说是什么样子的，也显示出该和弦在哪个音、反转和键。对于那些想为现场音乐家写音乐的人来说，这可能是一种教育。
-附有midi剪辑的集合来介绍乐器。这些包括一个短进行曲的集合，以及所有可能的语音的例子。
-每个和弦演奏4小节(约9秒)所有示例都启用了循环。
-自动节奏同步项目的节奏。样品以100BPM记录。85 – 160BPM听起来不错，最好的节拍是120BPM。
和弦被组织成4种不同类型的声音。闭间距，开间距，七和弦，开五和弦。
-在大调和小调，以及所有3个逆序中都记录了闭间距和弦。七和弦包括属音七音、小七音和大七音。
-除了开放的五分音，每个和弦记录在2个速度层，每个速度层有一个正常版本和一个ponticello版本，可以交叉使用modwheel。这是一个很好的方式来添加运动到声音。
-更响亮的速度层有增加对比的rubato，并带出低音线。
更新日志V1.1
新特性-演奏一个改变转位或和弦的发声的键开关，和弦立刻改变
更新日志V1.2
样品的改进
更新日志V1.3
小bug修复
主页
https://www.kontakthub.com/product/string-flow-viola-kontakt/
String Flow Viola samples a technique string players use, in which they quickly roll the bow across the strings to create an energetic, chordal texture.
There are 2 ways to play the instrument.
The first way is simple: just choose what type of chord you want, what key to be in, and then play on the white keys. Whatever you play will pick a harmony which will fit into whatever key you’ve chosen. It’s kind of like the “Harmonize” factory scripts in Kontakt, except that in this case, all of the harmonies had to be manually recorded!
The second way to play requires more knowledge of the instrument, and is more flexible. If you play a chord that has been recorded, the instrument will play that chord on viola. The midi clips which come with the instrument demonstrate which chords work.
Works with the FULL version of Kontakt 5.8.1 and Kontakt 6
FEATURES
– The interface reacts to notes played, displaying what the music notation would look like to the player, and also showing which voicing, inversion, and key the chord is in. This could be an educational for those looking to write music for live musicians.
– Comes with a collection of midi clips to introduce the instrument. These include a collection of short progressions, and examples of all the possible voicings.
– Each chord was played for 4 measures (about 9 seconds). Loops are enabled for all samples.
– Automatically tempo-syncs to project tempo. The samples were recorded at 100BPM. 85 – 160BPM sounds good, and the optimal tempo is 120BPM.
– Chords are organized into 4 different types of voicings. Closed spacing, open spacing, 7th chords, and open 5ths.
– The closed spacing chords were recorded in both major and minor, and in all 3 inversions. The 7th chords include a dominant 7th, minor 7th, and major 7th voicing.
– Except for the open 5ths voicings, each chord recorded at 2 velocity layers, and each velocity layer has a normale version and a ponticello version, which can be crossfaded between using the modwheel. This is a good way to add motion to the sound.
– The louder velocity layer has rubato which adds contrast, and brings out the bassline.
Changelog V1.1
New Feature – Playing a key switch that changes either the inversion or the voicing of a chord, the chords change right away
Changelog V1.2
Sample improvements
Changelog V1.3
Minor bug fixes
