File Size: 270.6 MB
颜料为您提供了软件乐器中有史以来最精美的元素，可让您创建具有开创性，令人兴奋和深刻的个人声音。借助Pigments，您可以将一切摆在面前，从而以一种软件仪器中从未见过的方式充分表达自己的创造力。
rturia承诺，尽管Pigments听起来像其他合成器，但没有其他合成器听起来像Pigments。它确实是一种21世纪的乐器，由于其非凡的功能和诱人的价格，它将成为所有制作人，声音设计师和合成鼓迷的首选。颜料袖子上有一些五颜六色的花样。实际上，它可以做其他合成器根本做不到的事情。
这些包括：
缩放量化音高调制以构建复杂的旋律序列
连续统一控制，可以通过经典和和弦模式进行调制
适用于波表振荡器的广泛波动选项，具有出色的混叠控制
常用的调制源以及一些其他非常规的调制源，例如图灵和二进制随机生成器
强大的调制器门/触发器控制。完美激发异常的节奏序列或自产生音色
多节奏音序器，特别强调随机性，并保持音阶控制以保持音乐性
特征：
并行的两个引擎：两全其美
虚拟模拟三重振荡器引擎
具有变形和导入功能的复杂波表引擎
双过滤器：数十种可供选择
V Collection乐器的经典滤镜
外科医生和梳子等现代过滤器
连续串联/并联布线
强大的效果部分：多合一解决方案
13种令人惊叹的效果，包括波形文件夹，过载，参数均衡器和延迟
通过拖放操作插入或发送路由选项，轻松切换
所有基本参数均可调节
先进的调制系统：用任何东西调制任何东西
图形编辑，基于源或基于目标
信封，LFO，函数发生器，随机源
4个可分配的宏一次控制多个参数
视觉界面：了解您的声音
最重要模块的图形表示
生动活泼的波形让您的声音栩栩如生
多节奏音序器和琶音器：发挥创意
创建复杂，自定义和不断发展的序列或arp
广泛的工厂预设库：向大师学习
数百种来自很棒的艺术家和经验丰富的声音设计师的预设，包括杰里米·萨维奇（Jeremy Savage），斯塔卡迪安（Starcadian），立方三次样条（Cubic Spline），莫德·富斯顿（Mord Fustang）和约尔格·赫特纳（JörgHüttner）。
平台：Win64-EXE / VST / VST3 / AAX
什么是新的：
颜料2带有一个全新的Sample Engine。它提供了数百种有趣的声音，六个可使用的示例插槽，六个不同的播放模式，循环播放和深度编辑功能。
Sample Engine具有内置的粒度合成模式。这样可以通过处理单个谷物进行非常深的采样操作。有许多控制声音形状的控件，例如“密度”，“包络”，“大小”以及许多随机化参数。所有这些都可以在Mod Matrix中进行调制，为用户提供了另一个出色的声音设计工具。
音序器具有改进的随机模式。它不会再永久覆盖该序列，而是会增加编程值的偏差。因此，有可能返回到非随机序列。具有100％的随机值，该序列是完全随机的，符合预期。
颜料2引入了新的低通门滤波器模式。它可以同时充当VCA，筛选器或同时充当两者。可以通过引擎调制器对门进行调制，以实现AM或FM效果。产生的声音类似于Buchla画架低通门。
一种新的Tape Echo效果，它基于Arturia的Delay Tape-201效果。带有饱和，延迟时间直到1000ms，各种同步类型：时间，二进制点，三重和立体声宽度。
新设计，MPE功能，撤消/重做，Unison更新，增强的调制栏，更新的Remap模块，新的预设。
主页
http://www.arturia.com
Pigments gives you the finest elements ever found in a software instrument, letting you create pioneering, exciting, and deeply personal sounds. Laying everything out before you, Pigments lets you fully express your creativity in a way that’s never been seen before in a software instrument.
rturia promises that while Pigments can sound like other synths, no other synth can sound like Pigments. It is truly a 21st century instrument that will become the go-to choice for all producers, sound designers, and synth-fans alike thanks to its extraordinary features and tempting price. Pigments has some colorful tricks up its sleeve. In fact, it can do things other Synthesizers simply cannot do.
These include:
Scale quantized pitch modulations to build complex melodic sequences
Continuous unison controls that can be modulated, with classic and chord modes
Extensive waveshaping options for the wavetable oscillator, with great aliasing control
The usual modulation sources and some more unconventional ones like the Turing and Binary random generators
Powerful gate/retrig handling for modulators. Perfect to inspire unusual rhythmic sequences or self-generating patches
Polyrhythmic sequencer with a strong emphasis on randomness, with scale control to remain musical
Features:
Two engines in parallel: the best of both worlds
Virtual Analog triple oscillator engine
Complex Wavetable engine with morphing and import
Twin filters: dozens to choose from
Classic filters from V Collection instruments
Modern filters like surgeon and comb
Continuous series/parallel routing
Powerful effects section: an all-in-one solution
13 stunning effects, including wavefolder, overdrive, parametric EQ, and delay
Insert or Send routing options with drag and drop for easy switching
All the essential parameters can be modulated
Advanced modulation system: modulate anything with anything
Graphical editing, source-based or destination-based
Envelopes, LFOs, Function generators, Random sources
4 assignable Macros to control multiple parameters at once
Visual interface: understand your sound
Graphical representation of the most important modules
Living, moving waveform to see your sound come alive
Polyrhythmic Sequencer and Arpeggiator: get creative
Create complex, custom and evolving sequences or arps
Extensive factory preset library: learn from the masters
Hundreds of presets from awesome artists and experienced sound designers, including Jeremy Savage, Starcadian, Cubic Spline, Mord Fustang, and Jörg Hüttner Highlighted “notes” to show which parameters are recommended to tweak.
Platform: Win64 – EXE/VST/VST3/AAX
What’s New:
Pigments 2 comes with a completely new Sample Engine. It provides hundred of interesting sounds, six sample slots to work with, six different playback modes, looping and deep editing capabilities.
Sample Engine has a built in Granular Synthesis mode. This allows for a very deep sampling manipulation by playing around with individual grains. There are many controls to shape the sound such as Density, Envelope, Size and many randomization parameters as well. All of those are possible to modulate within the Mod Matrix, providing the user with another great sound design tool.
The sequencer has a revamped Random mode. It does not permanently overwrite the sequence anymore, instead it adds deviation to the programmed value. Therefore it is possible to go back to a non-random sequence. With a 100% random value, the sequence is completely random, as expected.
Pigments 2 introduces a new LowPass Gate filter mode. It can behave as a VCA, a Filter or both at the same time. The gate can be modulated by the Engine modulators for AM or FM effects. The sound produced is similar to the Buchla Easel Low Pass Gate.
A new Tape Echo effect that is based on the Delay Tape-201 effect from Arturia. Comes with Saturation, delay times untill 1000ms, various sync types: such as Time, Binary Dotted, Triples and Stereo Width as well.
New design, MPE capability, Undo/Redo, Unison update, enhanced Modulation Bar, updated Remap module, new presets.
