2C Audio Breeze 1.2.0 RAR | 18.4 Mb
简单是最复杂的。Breeze是我们著名的混响家族中具有环保意识的成员。它关注于易用性、效率和经济性。插进去就可以了。打开。走了。添加您需要的数量。没有比这更简单的了。但是不要被愚弄;这轻量级包一个严重的表现冲力和有几个令人兴奋的技巧袖子，给它自己独特的魅力和性格。
简单的
清空你的大脑，使你的心流最大化……
有时少即是多。有时候，最好的方法就是轻轻松松。字面上。它提供了一种创新的、极简的GUI设计，专注于将最重要的预先设置信息即时传达给用户，并以两种赏心悦目、直观的图形显示图形地总结这些信息。宏控制结合了许多复杂的，幕后的DSP参数成一个美丽紧凑的9个旋钮和4滑块。参数范围和缩放优化，使它几乎不可能创建一个糟糕的预置。信号增益已经精心平衡到使需要调整增益控制几乎过时的点，让用户少了一件事要担心和自由地关注更重要的细节。这是相当简单的为任何给定的源材料找到完美的设置。
光
微风不仅能点亮你的大脑，还能点亮你的钱包和你的CPU。即使在今天充满挑战的气候下，经济也不总是一个坏词!布雷兹的温和价格不太可能导致预算赤字或加剧部分准备金银行制度的风险。这里不会出现信贷紧缩。在149.95美元的新客户，和99.95美元的客户已经有我们的其他混响产品，甚至微风在配偶的支持率相当高。
当谈到CPU使用，微风是理想的混响的笔记本电脑使用，和现场性能。与市场上的乙醚、B2和其他产品相比，Breeze经过了高度优化，能耗更低。此外，Breeze被设计成智能地只使用给定预置绝对需要的CPU功率，并在不需要节约能源时自动禁用算法的各个部分。它还提供了一个额外的“Hi-Lo”开关，以进一步推动效率更深的绿色阴影。当与当前的顶级studio工作站一起使用时，可以根据设置实时运行超过500个插件实例。
原始的性能
简单和经济是很好的，但是如果为了达到这些目标而牺牲了音质，这就没有什么意义了。不用担心，因为虽然在易用性和成本方面，Breeze可能是一个天使，但在它重要的地方，它仍然是一个恶魔。
这不是普通的智能汽车的性能…作为以太的直系后裔，微风有足够的魔力。并排使用乙醚,许多行业领先的电影,电视,和游戏产业作曲家使用大量的微风实例作为追踪插入给每个仪器自己的位置在虚拟空间中,同时保留一个或两个以太实例用于辅助公交车胶水黏合地混合在一起。这是一个非常强大的技术，不应该被低估。它同样被世界一流的表演者所崇拜，他们只是在寻找一种巨大的空间感来增强他们的表演，并不特别关心这是一个大厅模拟还是一个房间模拟。在这些情况下，诸如包络、空间印象、立体定位和频率衰减等心理声学线索才是最重要的，而Breeze则毫无疑问地提供了这些线索。我们邀请你自己来听一听;你不会失望的。
特殊功能
Breeze和它的“兄弟”以太有一些共同之处，但也有许多不同之处。它带来了一些令人兴奋的新事物
在以太中实施，包括:
•一种新的先进的真实立体声模式，不同于任何在以太•一种新的双极密度控制，提供了从绝对稀疏到几乎瞬时最大密度的最终灵活性•一个密度/扩散模式开关，影响密度和扩散的速度和功能作为一个极其low-CPU-usage模式同时测深神奇•轮廓控制允许用户自定义攻击特征和混响场音色变化•新能量守恒方案旨在让相同的平均水平不管参数设置——所有旋钮可以设置为任何可能的设置组合,和由此产生的水平仍然是完全匹配的输入信号使调整增益设置几乎完全过时•一种进化提供了郁郁葱葱的调制方案,有传奇色彩的,chorus-like,随机调制以及新近发展起来的更为保守的方法,更符合
Simplicity is the ultimate sophistication. Breeze is the eco-conscious member of our prestigious reverb family. It focuses on ease of use, efficiency, and economy. Plug it in. Turn it on. Go. Add as many as you need. It does not get much simpler than this. But don’t be fooled; this lightweight packs a serious performance punch and has several exciting tricks up its sleeves that give it its own unique charm and character.
Simple
Clear your mind and maximize your flow…
Sometimes less is more. Sometimes it is best to just K.I.S.S. Breeze is a Breeze to use! Literally. It offers an innovative, minimalist GUI design that focuses on instantly communicating the most important preset information to the user, and summarizing this information graphically in two aesthetically pleasing and intuitive graphical displays. Macro controls combine many complex, behind-the-scenes DSP parameters into a beautifully compact set of nine knobs and four sliders. Parameter ranges and scaling are optimized to make it almost impossible to create a bad sounding preset. Signal gain has been meticulously balanced to the point of making the need to adjust the gain control almost obsolete, leaving users with one less thing to worry about and free to focus on more important details. It is quite simply a Breeze to find the perfect settings for any given source material.
Light
Not only is Breeze light on your brain, but it is also light on your wallet and light on your CPU. Even in today’s challenging climate, economy is not always a bad word! Breeze’s modest price is unlikely to cause budget deficits or exacerbate the risks of fractional reserve banking. No credit crunches are to be found here. At $149.95 for new customers, and $99.95 for customers who already have one of our other reverb products, Breeze even scores quite high in spouse approval ratings.
When it comes to CPU usage, Breeze is the ideal reverb choice for laptop use, and live performance. Breeze has been highly optimized to require less power as compared to Aether, B2, and other products in the market. Breeze is furthermore designed to intelligently use only as much CPU power as is absolutely required for a given preset, and automatically disables various parts of the algorithm when not required to conserve energy. It also offers an additional “Hi-Lo” switch to further push efficiency into even deeper shades of Green. When used with current top-of-the-line studio workstations, over 500 instances of the plug-in can be run in real-time depending on settings.
Pristine Performance
Simplicity and economy are great, but they don’t mean much if the sound quality suffers to achieve these goals. Not to worry, because while Breeze may be an angel in terms of its ease of use and cost, it’s still a demon where it counts.
This ain’t no ordinary smart car performance… As a direct descendant of Aether, Breeze has enough mojo to go around. It is used side by side Aether by many industry-leading film, television, and game industry composers who use a huge number of Breeze instances as track inserts to give each instrument its own position in virtual space, while reserving one or two Aether instances for use on auxiliary busses to glue the mix together cohesively. This can be a very powerful technique and should not be underestimated. It is equally adored by world-class performers who are simply looking for a great sense of space to augment their performance and do not care specifically whether it is a hall emulation versus a chamber emulation. In these contexts psychoacoustic cues such as envelopment, spatial impression, stereo positioning, and frequency decay are all that matters, and Breeze delivers them in spades. We invite you to take a listen for yourself; you won’t be disappointed.
Special Features
Breeze shares some things in common with its older cousin, Aether, but it also has many differences. It brings several exciting new things to the table that have yet to be
implemented in Aether including:
• A new advanced true-stereo mode that differs from anything in Aether • A new bi-polar Density control that provides the ultimate flexibility ranging from absolute sparsity to almost instantaneous maximal density • A Density/Diffusion mode switch, which effects both Density and speed of Diffusion and functions as an extremely low-CPU-usage mode while still sounding fantastic • A Contour control to allow users to customize the attack characteristics and timbral variations of the reverb • A new Conservation of Energy scheme designed to give the same average level regardless of parameter settings — all knobs can be set to any conceivable setting combinations, and the resulting level is still perfectly matched to the input signal making adjusting Gain settings almost completely obsolete • An evolved modulation scheme that offers both lush, larger-than-life, chorus-like, random pitch modulation as well as newly-developed more conservative methods, that are more in line with the behavior of real-world acoustic spaces • A new Time Display that is a great visualization tool showing an intuitive representation of the time behavior of the current settings to aid in preset design
2C.Audio.Breeze.v1.2.0-R2R
Home Page – http://www.2caudio.com/products/breeze#_overview
