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电吉他氛围音色 – Riot Audio Baritone Guitar Washes KONTAKT

Incl. Fix Patch 06/2020 | KONTAKT – 871 MB

介绍
BARITONE GUITAR水洗是一种多用途的Kontakt乐器,基于样本录音的定制手工制作的男中音电吉他铝脖子由NUDE Guitars(见下图)。深共振和难以置信的维持乐器使它非常适合设计长垫和其他环境声音。

中音吉他洗涤是基于我们的专利Kontakt引擎(洗涤),包括三层声音-身体,沙粒和空气,每个有一个特定的功能和声音特征。

身体层
身体层包含核心吉他样本,在不同的拾取位置(颈部,中部,桥)和演奏风格(和声,直管,Ebow)。这些样品被循环/分层以产生接近无限释放时间的“膨胀”。它还包括“水洗”样本的多个实例,膨胀声音记录使用自定义延迟和混响设置Kemper剖析Amp。示例开始时间,攻击和释放是高度可定制的,允许从短,干自然拔声音以及organ-like刺声音(没有吉他摘下的初始攻击)通过10年代冒口,突然结束经典slow-attack和缓释垫的声音。

砂砾层
沙砾层的作用是增加一种扭曲,不和谐,粗糙或弯曲的味道。这可以拨低在混合的黑暗和纹理,或拨出特色元素。

空气层
空气层包含了一些不同的空气流动实例(家用吸尘器,通过爱尔兰低音长笛吹过的空气),发出一些高频率/呼吸般的嘶嘶声。添加这一层可以产生风琴式的声音(想想哈蒙德或沃利泽)和唱诗班的暗示。

变形
所有三个层都可以通过应用几个目标声音(通常是来自其他层的声音的组合)来变形。有这种变形效果的方向,速度和强度控制,允许最大的声音塑造能力。

也有详细的FX控制和“边缘”控制映射到mod轮默认添加一些饱和度和光谱形状,以显示额外的污垢和存在。

由此产生的可能声音的调色板在其广度上是独特的,同时仍然保留原始声源的DNA。无论你是在寻找冰冷,细径,温暖,闪光和声垫,或尖锐,刺耳的无调性纹理,男中音吉他洗涤是保证有你的东西。

KONTAKT仪器
男中音吉他清洗是一个两页Kontakt乐器设计作为一个强有力的工具为详细的声音创造。

Riot音频男中音吉他洗KONTAKT截图

主页

控制音量,平移和立体宽度,以及“边缘”控制添加饱和度和光谱形状和一个主电平表。

外汇
控制失真(包括阻尼),过滤器(LP, BP, HP),延迟(包括对无尽纹理的100%反馈时间)和混响(包括长度)。

情商
低,中,高频率EQ与可变Q控制。

Riot音频男中音吉他洗KONTAKT截图

层页面
身体,沙砾和空气
控制层源样品,体积,样品开始,攻击和释放,以及一个层特定的水平仪表为每三层。

变形
许多控制可用于男中音吉他洗涤变形能力。每个图层都有一个目标样本的选择菜单和变形方向(基础图层目标图层),变形量和速度的控制。

记录会议
与Eraldo Bernocchi (Sigillum S, Harold Budd, Bill Laswell)的吉他会话是使用超安静的Profiler Amp从德国高端制造商Kemper Amps埃拉尔多自己拥有。

齿轮故障
-定制手工制作裸体男中音电六弦吉他与铝颈
– Kemper Profiler放大器
-达达里奥字符串量规。13-.62
大提琴弓和大提琴弓
-通用音频A/D转换器
-用于重整级的黑星管放大器

连接列表

扰流板
功能一览
-一台小巧的Kontakt仪器
-三层-身体,沙砾和空气
– 60预置(快照)在总共- 30垫和30采摘
-词汇混响建模
-基于Riot Audio的专有清洗引擎
-使用Kontakt的AET过滤器技术变形和混合不同的声源

更新补丁:
-修复AET过滤器引擎中的工件(变形)

需要一个完整版本的Kontakt 5.8.1或以上!

主页
https://riotaudio.com/product/baritone-guitar-washes/

 

 

INTRODUCTION
BARITONE GUITAR WASHES is a versatile Kontakt instrument based on sampled recordings of a custom-made hand-built baritone electric guitar with an aluminium neck by NUDE Guitars (see pictures below). The deep resonance and incredible sustain of the instrument make it perfectly suited to designing long pads and other ambient sounds.

BARITONE GUITAR WASHES is based on our proprietary Kontakt engine (WASHES) that incorporates three layers of sound – Body, Grit and Air, each with a specific function and sound characteristics.

BODY LAYER
The Body layer contains the core guitar samples, in various pickup positions (Neck, Mid, Bridge) and playing styles (Harmonics, Straight, Ebow). These samples are looped/layered to create “swells” with close to infinite release times. It also includes several instances of “pre-washed” samples, swell sounds that were recorded using custom delay and reverb settings on a Kemper Profiling Amp. Sample start times, attack and release are highly customizable, allowing for anything from short, dry naturalistic pluck sounds as well as organ-like stab sounds (without the initial attack of the guitar pluck) via 10s risers that end abruptly to classic slow-attack and slow-release pad sounds.

GRIT LAYER
The Grit layer serves to add a distorted, dissonant, scratchy or bowed flavour. This can either be dialed in low in the mix for a sprinkling of darkness and texture, or dialed up to be a featured element.

AIR LAYER
The Air layer contains a few different instances of moving air (a household hoover, air blown across an Irish Low Flute) for some high-frequency/breath-like sizzle. This layer can be added to produce organ-type sounds (think Hammond or Wurlitzer) and hints of choir.

MORPHING
All three layers can be morphed by applying several target sounds (usually combinations of sounds from other layers). There are controls for direction, speed and strength of this morphing effect, allowing for maximum soundshaping capabilities.

There are also detailed FX controls as well as an “EDGE” control mapped to the mod wheel by default for some added saturation and spectral shaping to bring out extra dirt and presence.

The resulting palette of possible sounds is unique in its breadth, whilst still retaining the DNA of the original sound sources. Whether you’re looking for icy, thin trails, warm, sparkly harmony pads, or edgy, scratchy atonal textures, BARITONE GUITAR WASHES is guaranteed to have something for you.

KONTAKT INSTRUMENT
BARITONE GUITAR WASHES is a two-page Kontakt instrument designed for as a powerful tool for detailed sound creation.

MAIN PAGE
MASTER
Controls for Volume, Pan and Stereo Width, as well as an “Edge” control for added saturation and spectral shaping and a main level meter.

FX
Controls for Distortion (including Damping), Filters (LP, BP, HP), Delay (including up to 100% feedback time for endless textures) and Reverb (including length).

EQ
Low, Mid and High Frequency EQ with variable Q controls.

LAYERS PAGE
BODY, GRIT and AIR
Controls for Layer Source Sample, Volume, Sample Start, Attack and Release as well as a layer-specific level meter for each of the three layers.

MORPHING
A number of controls are available for BARITONE GUITAR WASHES’ morphing capabilities. For each layer there is a selection menu for Target Sample and controls for Morphing Direction (base layertarget layer), Morphing Amount and Speed.

THE RECORDING SESSION
The guitar session with Eraldo Bernocchi (Sigillum S, Harold Budd, Bill Laswell) was tracked using an ultra-quiet Profiler Amp from German high-end manufacturer Kemper Amps owned by Eraldo himself.

GEAR BREAKDOWN
– Custom hand-made NUDE Baritone Electric 6-string guitar with aluminium neck
– Kemper Profiler Amplifier
– D’Addario strings gauges .13-.62
– Cello Bow and Ebow
– Universal Audio A/D converters
– Blackstar Tube Amplifier for reamping stage

LIST OF ARTICULATIONS

FEATURES AT A GLANCE
– One compact Kontakt instrument
– Three layers – Body, Grit and Air
– 60 presets (snapshots) in total – 30 pads & 30 plucks
– Lexicon Reverb Modelling
– Based on Riot Audio’s proprietary WASHES engine
– Uses Kontakt’s AET Filter technology to morph and blend disparate sound sources

Update Patch:
- Fixes artifacts in the AET Filter engine (morphing)

Require a FULL version of Kontakt 5.8.1 or above!

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