KONTAKT | 840 MB
从Korg 770的原始手册中忠实复制了所有24个“ InstaSet”预设…
•…再加上从蒙哥酷热的大脑中忠实复制的16个“ Mongo Specials”•简单但功能强大的控制集，包括Tilt EQ，Filter和Amplifier，因此您可以制作自己的声音•Velocity-to-Volume和Velocity-to截断式翻新，以提供更具表现力的选项
•每个补丁20c的经典声音！
Korg 770可能很小，但功能强大-不是以MiniMoog的方式出现，而是以BBC Radiophonics Workshop合成小狗的方式表现出更多。得益于一些漂亮的巴米拓扑结构和大量的异常惊喜，从几根电线和二极管中产生了各种坦率的惊人和美妙的声音：振荡器1上的合唱波，或者内置的两种形式的环形调制，或者音乐上辉煌的Scale Noise，我们现在正在切入并构建到所有新合成器中。 （为什么没有在所有地方出现“缩放噪声”？这太神奇了！）
因此，任何有机会摆弄770的机会都是我们乐于接受的机会，当我们终于拿到了Korg机器原始手册的副本时，便立即被它具有预设的事实所吸引。是的，的确的确如此，手册的后面是24种工厂声音的补丁程序，或者，正如Korg在今天所说的那样，是InstaSets。 （事实证明，它们并不是Insta的全部，因为您必须自己拨通它们；但是当您听到类似Funky Cat和Banjo的声音时，谁会抱怨呢？！）因此，PatchVault诞生了。
好吧，几乎-因为，说实话，自Korg的编程工程师提出Funky Cat和Banjo的奇迹以来，合成器的口味已经有所改变。当我们为它们编程并播放它们时，我们不禁感到有些工厂InstaSets处于频谱的利基端（例如，Foghorn和Wave仅在您想要erm时才有用） Foghorn和Wave的声音）。考虑到这一点，我们决定走得更远-以及音乐上更有用的InstaSets（小提琴，电贝司，Tuba，真正出色的Gambang等），我们还决定让Mongo在770上放松一下，他从上面敲了一些补丁。然后，此PatchVault分为两个部分：原始的Factory声音和一批Mongo Specials。区分它们真的很容易，因为很多声音听起来像是由一位戴着眼镜的日本工程师在1970年代中期编写的，而其他声音听起来就像是770受到了折磨，但又以某种方式享受着。这是一个奇怪的对比（但我们感到很奇怪）。
原始的InstaSets确实是琥珀色的合成器历史。您会听到并完全按照Korg的工程师的想象去玩他们的新机器的最终用户。管弦乐队的模仿是的；而且还有一些可爱的怪异和特殊的声音效果。谁知道这些可能会在您的下一个曲目中引发什么。同时，Mongo的音色会更深入地研究该乐器，特别利用调制选项将其推向更加混乱，更具侵略性的领域。它看起来小巧可爱，但听起来有点吓人！开始将两者分层，这是一个奇怪而美妙的可能性世界？？？？
（我们所有的Kontakt乐器都需要Native Instruments Kontakt v4.2.3或更高版本的完整副本（包括Kontakt 5的所有版本）。不支持Kontakt Player。
All 24 ‘InstaSet’ presets faithfully copied from the Korg 770’s original manual…
• …plus a further 16 ‘Mongo Specials’ faithfully copied from the sweltering, febrile brain of Mongo • Simple but powerful control set including Tilt EQ, Filter and Amplifier so you can craft your own sounds • Velocity-to-volume and Velocity-to-cutoff retrofitted for even more expressive options
• Classic sounds for 20c per patch!
The Korg 770 may be small, but it’s mighty – not in a MiniMoog way, more in a BBC Radiophonics Workshop synth-puppy way. From a handful of wires and diodes comes all manner of frankly amazing and wonderful sounds, thanks to some pretty barmy topology and a whole load of unusual surprises: the Chorus wave on Oscillator 1, or the two forms of ring modulation built right in, or the musically brilliant Scale Noise which we’re now nicking and building into all our new synths. (Why doesn’t Scale Noise turn up everywhere? It’s amazing!)
So any chance to fiddle with the 770 is a chance we happily take, and when we finally got our hands on a copy of Korg’s original manual for the machine, we were instantly grabbed by the fact that it had presets. Yes indeedy, at the back of the manual are patchsheets for 24 factory sounds – or, as Korg called them back in the day, InstaSets. (They turn out to be not all that Insta, cos you have to dial them in yourself; but who’s complaining when you get sounds like Funky Cat and Banjo as a result?!) And thus a PatchVault was born.
Well, almost – because, let’s be honest, synth tastes have changed a bit since Korg’s programming engineers came up with the wonders of Funky Cat and Banjo. As we programmed them in and played them, we couldn’t help feeling that a few of the factory InstaSets were rather at the niche end of the spectrum (Foghorn and Wave, for example, is really only useful if you, erm, want the sound of a Foghorn and Wave). With that in mind we decided to go a little further – so as well as the more musically-useful InstaSets (Violin, Electric Bass, Tuba, the really brilliant Gambang, and others) we also decided to let Mongo loose on the 770 and let him hammer some patches out of it. This PatchVault, then, is in two parts: the original Factory sounds and a batch of Mongo Specials. It’s really pretty easy to tell them apart, since one lot sound like they were programmed by a bespectacled Japanese engineer in the mid 1970s, while the others sound like the 770 is being tortured but somehow enjoying it. It’s an odd (but we feel oddly compelling) contrast.
The original InstaSets really are a little bit of synth history encased in amber; you get to hear and play exactly what Korg’s engineers imagined the end-users of their new machine would be keen on. Orchestral emulations yes; but also some endearing strangeness and peculiar sound-effects. Who knows what these might spark in your next track. Mongo’s patches, meanwhile, delve deeper into the instrument, making particular use of the modulation options that push it into more snarly, aggressive territory. It may look small and cute, but it can sound kinda scary! Start layering the two together and it’s a weird, wonderful world of possibilities ????
(All our Kontakt instruments require a full copy of Native Instruments Kontakt v4.2.3 or higher (including all versions of Kontakt 5). Kontakt Player is not supported.
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http://www.rhythmicrobot.com/product/patchvault-770
