KONTAKT – 16,5 GB
CineWinds PRO是对下一代管弦乐CineWinds CORE库的扩展。 CineWinds PRO扩展包填充了管弦乐的木管乐器部分的其余部分，并且还提供了折衷选择的民族，文艺复兴时期和时期管乐器，这在电影评分中最常用。
与CineWinds CORE一样，我们组建了一支由最优秀的音乐家和工作人员组成的团队-在SONY Scoring舞台上，我们发现了绝佳的舒适感和惊人的声音，由无与伦比的工程师Dennis Sands录制和混音。 CineWinds PRO中的木管乐器与CineWinds CORE中的乐器具有相同的深度和细微差别，William Lyons为我们提供了一系列民族性的木管乐器，这种表现力和细节在管弦乐样本库中很少听到。 PRO扩展功能具有CORE库内容的两倍，我们希望您喜欢它的每一点。
CINEWINDS PRO 1.3 UPDATE中的新增功能：
肉桂的自适应莱加托引擎
Cinesamples将其CineStrings SOLO，Tina Guo Acoustic Cello Legato和Viola da Gamba的自适应Legato引擎应用于CineWinds PRO中的管弦乐器。它使您可以根据自己的演奏风格来调整连奏的响应，并旨在在音乐上响应您的演奏。引擎会检测您的演奏速度并智能调整间隔速度以匹配。这意味着您可以在一次演奏中演奏慢速，富有表现力的台词和快速的演奏，而无需触摸快速拨号。另外，强度参数响应速度。
在“设置”选项卡中，“音量范围”控制CC1影响多少音量。因此，一起使用CC1和CC11的用户可以将滑块一直向下推，而仅使用Mod滚轮的用户可以将其调高。
使用VEL / ATTACK功能，每个音符的音调都会响应您的力度。较低的速度将产生较慢的攻击。
量化模式：在任何True Legato乐器中，演奏音符到音符的过渡时都会有些滞后。通常可以通过将所有音符在音序器中稍微向左移动，或使用音轨预延迟来补偿这种情况。大多数连奏库的问题在于每个音符的时序不一致。短语中的第一个音符会立即发出声音，而随后的音符将被延迟。量化模式通过计算连奏滞后时间并将相同的延迟应用于非连奏采样来解决此问题。这意味着您可以量化演奏，将MIDI向左移动，并且每个音符的时序将保持一致。
新的制图标签
CineWinds PRO包括一个按照CineStrings SOLO样式设置的全新映射区域，可在自定义作曲家工作流程时提供更大的灵活性。
口音叠加
“重音”叠加控制会在延音的攻击上附加一个关节（Marcato =短1/2，Staccato =短1/4，Spiccato =短1/8）。启用ACCENTED LEGATO，将这一层添加到连奏过渡中。
新的颤音控制
在“映射”选项卡中，“颤音”推子允许可变的淡入淡出速度进入和离开颤音样本。该控件默认为CC2，但可以分配给任何控制器。
贴片
新的合奏乐曲包括中音长笛，英语号角，低音单簧管和低音提琴。
CineWinds PRO包含全新的管弦乐木管乐采样内容，与CineWinds CORE一样，它在SONY Scoring舞台上自豪地录制，并由Dennis Sands进行混音。 CineWinds CORE包含标准的管弦乐木管乐-短笛，长笛，双簧管，单簧管和巴松管。对于CineWinds PRO，我们超越了基本要素，为您带来出色的乐器，例如中音长笛和低音提琴，以及专家威廉·里昂斯（William Lyons）表演的全面精选的民族木管乐器，他采样了他在许多电影中演奏过的确切乐器得分，包括导演彼得·杰克逊的《霍比特人》。
适用于Kontakt 5.3.1或更高版本
主页
http://cinesamples.com/product/cinewinds-pro
CineWinds PRO is the expansion to the next-generation orchestral CineWinds CORE library. CineWinds PRO expansion fills out the remainder of the orchestral woodwind section, and also offers an eclectic choice of ethnic, Renaissance, and period wind instruments most often used in film scoring.
As with CineWinds CORE, we assembled a team of the finest musicians and crew — we found great comfort and amazing sounds at the SONY Scoring Stage, recorded and mixed by the unparalleled engineer Dennis Sands. The woodwinds in CineWinds PRO are covered with the same depth and nuance as the instruments in CineWinds CORE, and William Lyons gives us a series of ethnic woodwinds of such expressiveness and detail rarely heard in orchestral sample libraries. The PRO expansion features twice the content of the CORE library, and we hope you enjoy every bit of it.
WHAT’S NEW IN THE CINEWINDS PRO 1.3 UPDATE:
CINESAMPLES’ ADAPTIVE LEGATO ENGINE
Cinesamples applied its Adaptive Legato Engine from CineStrings SOLO, Tina Guo Acoustic Cello Legato, and Viola da Gamba to the orchestral instruments in CineWinds PRO. It allows you to tailor the legato response to your own playing style, and is designed to respond musically to your performance. The engine detects your playing speed and intelligently adjusts the interval speed to match. This means you can play slow, expressive lines and fast runs in a single performance, without touching the speed dial. Additionally, the intensity parameter responds to velocity.
In the Settings Tab, the VOLUME RANGE controls how much the volume is affected by CC1. So those who use CC1 and CC11 together can keep the slider all the way down, and those who only use the mod wheel can turn it up.
Using the VEL / ATTACK function, the attack of each note responds to your velocity. Lower velocities will generate a slower attack.
QUANTIZE MODE: In any True Legato instrument, there will be some lag when playing note-to-note transitions. This is usually compensated for by moving all notes slightly to the left in the sequencer, or by using a track pre-delay. The problem with most legato libraries is that the timings of each note are inconsistent; the first note in a phrase will sound immediately, while subsequent notes will be delayed. The Quantize Mode tackles this problem by calculating the legato lag time, and applying the same delay to non-legato samples. This means you can quantize a performance, shift the MIDI to the left, and the timings of each note will be consistent.
NEW MAPPING TAB
CineWinds PRO includes a brand new mapping area styled after CineStrings SOLO that allows for greater flexibility in customizing composer workflows.
ACCENT OVERLAY
The Accent Overlay control layers an additional articulation (Marcato = Short 1/2, Staccato = Short 1/4, Spiccato = Short 1/8) over the attack of sustains. Turning on ACCENTED LEGATO adds this layer to the legato transitions.
NEW VIBRATO CONTROL
In the Mapping tab, the Vibrato fader allows for a variable crossfade speed into and out of vibrato samples. This control defaults to CC2 but can be assigned to any controller.
ENSEMBLE PATCH
The new Ensemble Patch includes the Alto Flute, English Horn, Bass Clarinet, and Contrabassoon.
CineWinds PRO is comprised of entirely new orchestral woodwind sample content, and as with CineWinds CORE, it was proudly recorded at the SONY Scoring Stage and mixed by Dennis Sands. CineWinds CORE contains the standard orchestral woodwinds — piccolo, flute, oboe, clarinet, and bassoon. For CineWinds PRO, we went beyond the essentials to bring you exceptional instruments, such as the alto flute and contrabassoon, as well as a comprehensive selection of ethnic woodwind instruments, performed by expert William Lyons, who sampled the exact instruments he played in many film scores, including The Hobbit by director Peter Jackson.
Works with Kontakt 5.3.1 or higher
home page
http://cinesamples.com/product/cinewinds-pro
