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均衡器可能是你在混音和母版时最常用的工具，所以你需要最好的。FabFilter Pro-Q 4提供了最高的音质，非常广泛的功能集，以及一个华丽的，创新的界面，无与伦比的易用性。
Pro-Q 4建立在强大的功能集，音质和直观的工作流程，一直设置Pro-Q分开添加动态光谱处理，统一的多实例控制，直接曲线绘制，模拟风格的饱和模式，一个全新的外观，以及更多。
谱动力学
将解决问题的EQ提升到新的高度，频谱动力学扩展了Pro-Q现有的动态EQ模式，能够将扩展或压缩应用到超过阈值的指定频带内的频率，而不影响所有其他频率。这种形式的处理总是需要一个专用的插件，但是Pro-Q 4简单地将其集成为另一个单波段选项，以及用户已经依赖的传统动态和静态EQ模式
每一天。
实例列表
新的实例列表按钮在任何pro – q4在一个项目中运行的底部中心打开了所有pro – q4实例的概述，可从小型化频谱显示的机架一直缩放到完全交互式显示，其中曲线可以像往常一样创建和编辑-包括EQ草图。激活自动缩放选项以自动聚焦当前在鼠标指针下的实例，并使用过滤器，快速跳转，搜索和小地图功能轻松地在所有pro – q4实例之间导航，无论数量多少。实例列表将在混合时节省大量时间，并且在全屏模式下是一场视觉盛宴。
情商草图
Pro-Q 4进一步改善了用户体验，以全新的方式创建宽笔画过滤器响应曲线：EQ Sketch。只需在主显示器上拖动鼠标，就可以实例化一系列过滤器，这些过滤器设置与绘制的任何曲线相匹配，其斜率由用户鼠标移动的陡峭度定义。理想的快速建立一般频率整形起始点进行调整和磨练使用pro – q4的常规控制，EQ草图是一个严重的工作流程助推器-特别是当与新的实例列表一起使用时。
字符模式
pro – q4的新字符模式带来了真实的电路模型失真，FabFilter早已被Pro-Q所知，使音轨和混音具有悦耳的模拟风味。切换到微妙模式，温和的程序和频率依赖，变压器式饱和，或温暖模式，当更明显的管式饱和被要求。与此同时，默认的Clean模式保留了Pro-Q原来的透明、无色声音。
→主要特点：
•专业的精通级EQ插件，多达24个频段，各种滤波器类型，所有滤波器类型的6-96 dB/oct斜坡，加上高切和低切滤波器的砖墙斜坡
•新：绘制响应曲线直接到显示与EQ草图
•新：目标问题频率与频谱动力学
•新：控制所有Pro-Q 4实例在一个会话从一个单一的接口与实例列表
•新：带来模拟的颜色和温暖的声音与角色模式
•新：复制和粘贴插件实例之间的EQ曲线
•新：全功能的预设浏览器，与标签，收藏夹，搜索和过滤功能，加上新的工厂预设
•新：分数滤波器斜率设置，因此，例如，3 dB/oct低切或14.2 dB/oct钟滤波器现在可以创建
•新：应用相位调整与所有通过过滤器类型
•新：参数编辑直接在EQ参数值显示通过拖动或鼠标滚轮滚动
•改进：全新的设计，可调整大小的gpu加速图形界面和全屏模式
•改进：上下文敏感的曲线创建预览
•改进：攻击和释放控制的动态EQ曲线
•改进：微调动态EQ响应与侧链滤波
•改进：线性相位模式的精度更高
改进：在零延迟和自然相位模式下更好的模拟匹配
•每个波段的动态均衡器选项
•自然，零延迟和线性相位处理模式
•每波段立体声，左，右，中，或侧模式
•环绕支持，支持高达杜比全景声9.1.6与灵活的环绕通道连接
•EQ匹配强加一个信号对另一个的音调特征
•频谱抓取：直接在频谱分析仪中抓取和调整滤波器
•智能多波段选择和编辑，和波段独奏模式
•功能强大的实时频谱分析仪，具有单独的母带（3/6 dB）和混合（12/30 dB）显示范围
•钢琴显示开关频率刻度到音符值
•附加：所有常见的FabFilter功能：完美微调旋钮和控制器，交互式MIDI学习，撤销/重做和A/B开关，智能参数插值平滑参数过渡，一个广泛的帮助文件与交互式帮助提示，样本精确自动化，NEON和SSE优化，以及更多
支持的操作系统
•macOS 10.13或更高版本
•苹果硅或英特尔酷睿处理器
An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best. FabFilter Pro-Q 4 delivers with the highest possible sound quality, a very extensive feature set, and a gorgeous, innovative interface with unrivalled ease of use.
Pro-Q 4 builds on the powerful feature set, sound quality, and intuitive workflow that have always set Pro-Q apart with the addition of dynamic spectral processing, unified multi-instance control, direct curve drawing, analog-style saturation modes, a fresh new look, and much more.
Spectral Dynamics
Taking problem-solving EQ to new heights, Spectral Dynamics extends Pro-Q’s existing Dynamic EQ mode with the ability to apply expansion or compression to only those frequencies within a specified band that exceed the threshold, leaving all other frequencies unaffected. Making light work of suppressing harshness and unwanted resonances, this form of processing has always required a dedicated plug-in, but Pro-Q 4 simply integrates it as another per-band option alongside the conventional dynamic and static EQ modes users already rely on
every day.
Instance List
The new Instance List button at the bottom center of any Pro-Q 4 running in a project opens an overview of all Pro-Q 4 instances, zoomable from a rack of miniaturized spectrum displays all the way up to fully-interactive displays in which curves can be created and edited as usual — including with EQ Sketch. Activate the Auto-Zoom option to automatically focus on the instance currently under the mouse pointer, and use the Filter, Quick Jump, Search, and Minimap features to easily navigate between all Pro-Q 4 instances, no matter how numerous. The Instance List will save a ton of time when mixing, and is a feast for the eyes in Full Screen mode.
EQ Sketch
Pro-Q 4 further improves on the user experience with a whole new way to create broad-strokes filter response curves: EQ Sketch. Simply drag the mouse across the main display to instantiate a series of filters set up to match any curve drawn, with slopes defined by the steepness of the user’s mouse movements. Ideal for quickly establishing general frequency-shaping starting points to be tweaked and honed using Pro-Q 4’s regular controls, EQ Sketch is a serious workflow booster — particularly when used in conjunction with the new Instance List.
Character modes
Pro-Q 4’s new Character modes bring the authentic circuit-modelled distortion for which FabFilter has long been known to Pro-Q, imbuing tracks and mixes with ear-pleasing analog flavor. Switch to the Subtle mode for gentle program- and frequency-dependent, transformer-style saturation, or the Warm mode when more obvious tube- style saturation is called for. The default Clean mode, meanwhile, retains Pro-Q’s original transparent, uncolored sound.
→ Key features:
• Professional mastering-grade EQ plug-in with up to 24 bands, a huge range of filter types, 6-96 dB/oct slopes for all filter types, plus Brickwall slopes for the High Cut and Low Cut filters
• New: Draw response curves directly into the display with EQ Sketch
• New: Target problem frequencies with Spectral Dynamics
• New: Control all Pro-Q 4 instances in a session from a single interface with the Instance List
• New: Bring analog-modelled color and warmth to sounds with Character modes
• New: Copy and Paste EQ curves between plug-in instances
• New: Full-featured preset browser, with tags, favorites, search and filter functions, plus new factory presets
• New: Fractional filter slope settings, so, for example, 3 dB/oct Low Cut or 14.2 dB/oct Bell filters can now be created
• New: Apply phase adjustments with the All Pass filter type
• New: Parameter editing directly in the EQ parameter value display via dragging or mouse wheel scrolling
• Improved: Fresh new design, with resizable GPU-accelerated graphical interface and full-screen mode
• Improved: Context-sensitive curve creation previews
• Improved: Attack and Release controls for Dynamic EQ curves
• Improved: Fine-tune Dynamic EQ response with sidechain filtering
• Improved: Greater precision for Linear Phase mode
• Improved: Better analog matching in Zero Latency and Natural Phase modes
• Dynamic EQ option for every band
• Natural, Zero Latency, and Linear Phase processing modes
• Per-band Stereo, Left, Right, Mid, or Side mode
• Surround support, supporting up to Dolby Atmos 9.1.6 with flexible surround channel linking
• EQ Match for imposing the tonal characteristics of one signal on another
• Spectrum Grab: grab and adjust filters directly in the spectrum analyzer
• Intelligent multiband selection and editing, and band solo mode
• Powerful real-time spectrum analyzer with separate mastering (3/6 dB) and mixing (12/30 dB) display ranges
• Piano Display switches the frequency scale to musical note values
• Plus: All the usual FabFilter features: perfectly fine-tuned knobs and controllers, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample accurate automation, NEON and SSE optimization, and more
Supported Operation System
• macOS 10.13 or later
• Apple Silicon or Intel Core processor
